Let It Snow

Merry Christmas to All…

Let It Snow<br>Let It Snow Let It Snow II<br>Let It Snow Let It Snow III<br>Let It Snow Let It Snow IV<br>Let It Snow Let It Snow V<br>Let It Snow Let It Snow VI<br>Let It Snow Let It Snow VII<br>Let It Snow Let It Snow VIII<br>Let It Snow

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Bosque del Apache V: Wetlands


As the sun begins its climb, the wetlands gradually emerge from darkness, revealing wonderfully subtle shades against the water, whether still or rippling. Continuing to climb, the light’s angle widens against increasing color variations and emerging shadows until thousands of light geese stir with their gutteral cries, as the wetland colors and textures explode…

Wet Lands<br>Bosque del Apache V - 2013 Wet Lands II<br>Bosque del Apache V - 2013 Wet Lands III<br>Bosque del Apache V - 2013 Wet Lands IV<br>Bosque del Apache V - 2013 Wet Lands V<br>Bosque del Apache V - 2013

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Motion Strokes

My first attempts at infusing the feeling of motion into my photographic images originated with my shooting moving objects – cars, trains, people walking or running. (more…)

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Aspen Orange


Santa Fe sits on the windward side of the Sangre de Cristo (Blood of Christ) mountain range. This southernmost subrange of the Rocky Mountains extends from Southern Colorado to Glorieta Pass southeast of Santa Fe.

Immediately northeast of Santa Fe, Santa Fe Mountain’s (10,350’) west face is blessed with an enormous aspen stand. Lit by the evening’s last light, they glow atop the mountain for all of Santa Fe to see.

Amongst the Aspens’ beautiful taupe trunks are the occasional aberrant blood-orange boles. Standing out like sentinels, their contrast is truly magical.

Aspen Grove<br>Aspen Orange - 2007 Aspen Orange<br>Aspen Orange - 2007 Aspen Orange II<br>Aspen Orange - 2007 Aspen Orange III<br>Aspen Orange - 2007 Aspen Orange IV<br>Aspen Orange - 2007 Aspen Orange V<br>Aspen Orange - 2007 Aspen Forest<br>Aspen Orange - 2007

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Trees II


In the Woods 

Fifteen years after Trees I, I returned to my earliest motif. Trees were no longer a subject to be mastered, I saw their nuances and spirit in a way I had not earlier in my career. In deconstructing these images, I walked a fine line between representation and abstraction, yet when I released control and allowed the trees to speak, their story informed my lens.

In the Woods<br>Trees II - 2006 Canyon de Chelly<br>Trees II - 2006 Chelly Relief<br>Trees II - 2006 Last Light<br>Trees II - 2006 Aspen Stand<br>Trees II - 2006 Santa Fe Mountain<br>Trees II - 2006

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Trees I


Twenty years ago, I began my journey as an interpretive landscape photographer in my own backyard — the dramatic parks of Washington, DC. There was an unlimited variety on which to concentrate, and their close proximity allowed for easy repeat visits to my new subjects.

I experimented with color, texture and gesture in my first commitment to pure landscape. By overlaying images with an expanse of time, I was seeking my own style to portray the way I saw the world through the lens of my moving camera.

Battery Kemble<br>Trees I - 1992 Glover Park Grove<br>Trees I - 1992 Rock Creek Sycamore<br>Trees I - 1992 Rock Creek Silhouette<br>Trees I - 1992 Glover Park<br>Trees I - 1992 Autumn Birch<br>Trees I - 1992

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