Bosque del Apache I

2011

Spanish for ‘Woods of the Apache’, the Bosque del Apache National Wildlife Refuge was established in 1939 to help protect the endangered Sandhill Cranes. Situated on the Rio Grande in south-central New Mexico, 90 miles south of Albuquerque, this tiny high desert wetland serves as a crowded migratory rest stop for thousands of snow geese and 10-15,000 Sandhill Cranes heading down the continent as winter approaches, and again on their return north for breeding season.

Though it’s been eight years since I moved from Maryland’s eastern shore to Santa Fe, I still marvel at the contrast between New Mexico’s high desert wetlands rimmed by 6-7,000’ mountains, to the eastern shore’s low country wetlands surrounded by the Chesapeake Bay. Even more profound, however, is the contrast between the moisture-laden eastern shore light and New Mexico’s high, dry, ever clear atmosphere.

To view more images of Bosque del Apache, see Bosque del Apache II and Bosque del Apache III

Bosque del Apache<br>Bosque del Apache - 2011 Woods of the Apache<br>Bosque del Apache - 2011 Snow Geese<br>Bosque del Apache - 2011 Wetlands II<br>Bosque del Apache - 2011 Wetlands Against Chupederas<br>Bosque del Apache - 2011 Pair of Sandhills<br>Bosque del Apache - 2011 Bosque Totem<br>Bosque del Apache - 2011

Bosque Apache II

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White Sands I

2011

Situated within New Mexico’s south-central Tularosa Basin are 270 square miles of White Sands’ dunes comprising the world’s largest surface deposit of gypsum. Beginning 100 miles south of Albuquerque and continuing 100 miles further south to El Paso, this basin lies within the Rio Grande Rift zone and the Chihuahuan Desert.

Unlike typical quartz sand, gypsum sands’ high rate of surface moisture evaporation reflects rather than absorbs the sun’s rays, making the grains cool to the touch, while taking on the hues of first and last light.

Two hundred and fifty million years ago, enormous upheavals in the Rio Grande Rift formed mountain ranges on both the east and west edges of the Tularosa Basin that uncovered these gypsum deposits, which over time leached into the basin.

In the dunes foreground, sparse golden grasses glow in contrast to the brilliant white dunes which in turn contrast against the formidable mountains both east and west.

White Sands Against San Andres Mountains<br>White Sands - 2011 Parabolic Dunes<br>White Sands - 2011 Parabolic Dunes II<br>White Sands - 2011 Long Shadows<br>White Sands - 2011

White Sands II

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Sedona Red

2011

One hundred miles south of the Grand Canyon, Sedona sits in front of the Mogollon rim’s 50 million years of exposed sedimentary layering that evidences the formation of the Colorado Plateau 250 million years ago.

To experience first or last light among its red rocks reveals why Sedona has taken on its own spiritual aura. The red Sandstone and tan mudstone coupled with the immediacy of the formations are breathtaking.

Winter Red<br>Sedona Red - 2011 Limestone over Sandstone<br>Sedona Red - 2011 Sandstone<br>Sedona Red - 2011 Desert Snow<br>Sedona Red - 2011 Sedona Red<br>Sedona Red - 2011 Sedona Times<br>Sedona Red - 2011

 

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Grand Canyon III

2011

The Edge

The Grand Canyon at first and last light is one of my very favorite places to be with a camera. For the last six years, 5 to 6 times a year for a week or more at a time, I’ve stood at the Canyon’s rim capturing the light playing on and within its voluminous space.

Concentrating on where the canyon walls end and meet what lies beyond 50, even 80 miles to the east and north, I’ve emphasized its vast desert surroundings. At the Grand Canyon, I am able to breathe, focus, and share in its unconditional peace. It is no accident that my images convey the serenity I seek in my life.

The Edge<br>Grand Canyon III: The Edge - 2011 North Rim<br>Grand Canyon III: The Edge - 2011 On the Edge<br>Grand Canyon III: The Edge - 2011 Navajo Mountain<br>Grand Canyon III: The Edge - 2011 Painted Desert<br>Grand Canyon III: The Edge - 2011 Navajo<br>Grand Canyon III: The Edge - 2011

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Seascapes VII

2007

Pacific NW Coast III

This is my third series captured during my 2010 roadtrip along the northern California and Oregon coasts. Though rarely blessed with optimal light, I was able to take the time for moments of sun to break through. From the cliffs along the Lost Coast in northern California, to the many rivers flowing into the Pacific, to the wonderfully wide and empty Oregon beaches, to tidal Netarts Bay just north of Cape Lookout contained by a five-mile stretch of beach, the Pacific NW coast is rugged and varied.

The south-flowing Pacific current along the NW coast and the weather, both constantly in motion, offer the perfect foil for overlaying my images with a sense of the passage of time.

Lost Coast<br>Seascapes VII: Pacific NW Coast III - 2007 Tidal Composition<br>Seascapes VII: Pacific NW Coast III - 2007 Tide Pool<br>Seascapes VII: Pacific NW Coast III - 2007 Beach Containing Neetarts Bay<br>Seascapes VII: Pacific NW Coast III - 2007 Neetarts Bay<br>Seascapes VII: Pacific NW Coast III - 2007 Neetarts Bay II<br>Seascapes VII: Pacific NW Coast III - 2007 Seaweed Composition<br>Seascapes VII: Pacific NW Coast III - 2007

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Seascapes V

2007

Pacific NW coast

In 2010 I made an extensive roadtrip beginning south of the California-Oregon border traveling north along the rugged and beautiful Pacific NW coast to Astoria, overlooking the Columbia River and the Washington border.

Along this coast are intermittent capes protruding into the Pacific that offer expansive cliff views, interspersed with stretches of very wide beaches, sand dunes, and hundreds of haystacks just offshore, plus the many rivers draining the Coastal mountains, this nearly 500 mile stretch of the northwest coast is simply breathtaking. This series plus the next two comprise my October “capture” of this stretch of the Pacific Northwest coast.

Coast Composition<br>Seascapes V: Pacific NW coast - 2007 Coast Composition II<br>Seascapes V: Pacific NW coast - 2007 Coast Composition III<br>Seascapes V: Pacific NW coast - 2007 Haystack<br>Seascapes V: Pacific NW coast - 2007 Haystack II<br>Seascapes V: Pacific NW coast - 2007 Haystack III<br>Seascapes V: Pacific NW coast - 2007

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Seascapes IV

2007

Tomales Bay

Tomales Bay, a 15 mile long by mile wide inlet of the Pacific Ocean, separates Point Reyes Peninsula from the Marin County mainland, 30 miles north of San Francisco. The bay forms the eastern boundary of Point Reyes National Seashore and lies along a submerged portion of the San Andreas Fault.

On its northern end, Tomales Bay opens out onto Bodega Bay, which shelters it from the direct current of the Pacific.

Nestled between the Marin hills to the east and the Point Reyes Peninsula’s rolling hills to the west, this tranquil bay offers lovely views of the edges of these two land masses.

East Shore<br>Seascapes IV: Tomales Bay - 2007 South End<br>Seascapes IV: Tomales Bay - 2007 South End II<br>Seascapes IV: Tomales Bay - 2007 West Shore<br>Seascapes IV: Tomales Bay - 2007 West Shore II<br>Seascapes IV: Tomales Bay - 2007

 

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Sierras Across Death Valley

2007

Zabriskie Point lies along the eastern border of California offering sweeping views West across Death Valley’s floor to the Sierra Nevada front-range. The Sierras run 400 miles north-south and 70 miles west-east. Included within this bountiful mountain range is Lake Tahoe, the largest alpine lake in North America, Mount Whitney at 14,505’ the highest point in the contiguous U.S., and Yosemite Valley sculpted by glaciers out of 100 million-year-old granite.

Four million years ago, the Sierra range began to uplift. Subsequent glacial erosion exposed the granite, forming the light-colored mountains we see today. Approaching the Sierra Nevada Range from across Death Valley provides an even more dramatic perspective of the ethereal vertical-rise.

Sierra Range<br>Sierras Across Death Valley - 2007 Zabriskie Point<br>Sierras Across Death Valley - 2007 East Facing<br>Sierras Across Death Valley - 2007 Sierras East Front<br>Sierras Across Death Valley - 2007 Sierras East Front II<br>Sierras Across Death Valley - 2007 Sierra Range II<br>Sierras Across Death Valley - 2007 Death Valley Against Sierras<br>Sierras Across Death Valley - 2007

 

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Golden Gate II

2007

Marin Headlands

Looking north across the golden gate, the Marin Headlands provide a unique perspective; the contrast of the ocean against the colors and textures on the headland’s face. The headland receives the sunlight directly, and reflectively from the water. The channel provides unobstructed first and last light, while the ever-changing weather plays its part.

Marin Headlands<br>Golden Gate II: Marin Headlands - 2007 Early Light<br>Golden Gate II: Marin Headlands - 2007 Earlier Color<br>Golden Gate II: Marin Headlands - 2007 Bonita Cove<br>Golden Gate II: Marin Headlands - 2007 Headlands<br>Golden Gate II: Marin Headlands - 2007 Marin Headlands III<br>Golden Gate II: Marin Headlands - 2007 Marin Headlands II<br>Golden Gate II: Marin Headlands - 2007

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Aspen Orange

2007

Santa Fe sits on the windward side of the Sangre de Cristo (Blood of Christ) mountain range. This southernmost subrange of the Rocky Mountains extends from Southern Colorado to Glorieta Pass southeast of Santa Fe.

Immediately northeast of Santa Fe, Santa Fe Mountain’s (10,350’) west face is blessed with an enormous aspen stand. Lit by the evening’s last light, they glow atop the mountain for all of Santa Fe to see.

Amongst the Aspens’ beautiful taupe trunks are the occasional aberrant blood-orange boles. Standing out like sentinels, their contrast is truly magical.

Aspen Grove<br>Aspen Orange - 2007 Aspen Orange<br>Aspen Orange - 2007 Aspen Orange II<br>Aspen Orange - 2007 Aspen Orange III<br>Aspen Orange - 2007 Aspen Orange IV<br>Aspen Orange - 2007 Aspen Orange V<br>Aspen Orange - 2007 Aspen Forest<br>Aspen Orange - 2007

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Western Landscape II

1999

Western Space + Time

Having awakened my appetite for large-scale landscape, I explored other western vistas in Wyoming, Utah, California and northern Arizona, in addition to return visits to the high country of Montana. Experimenting with the panoramic format, I found it easier to capture the breadth of the land while more closely matching its flow.

During the creation of this series, I first realized that my obsession with condensing time via motion within a single frame was intimately linked to a lifetime of restlessness.

Hidden Cliffs<br>Western Landscape II - 1999 Potato Ridge<br>Western Landscape II - 1999 Red Gulch<br>Western Landscape II - 1999 Drakes Bay<br>Western Landscape II - 1999 Lake Powell<br>Western Landscape II - 1999 Snowy Range<br>Western Landscape II - 1999 Sonoma<br>Western Landscape II - 1999 Tensleep<br>Western Landscape II - 1999

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